Rusty's World

Rusty’s Comic of the Week: Saucer Country #11 | January 27, 2013

Here we go with another week of Rusty’s comic reviews….

 

Chris Koch wanted to know my take on Uncanny X-Force #1. I don’t read it but he told me what happened so I went and checked out the final page.

Ewwwwwww.

 

On to the comics I DO read, starting at the weakest.

 

WINTER SOLDIER #14 (Ed Brubaker / Butch Guice) Marvel

I kept hoping for a good pay-off to this story. Instead it is just semi-misogynistic crap, like most of the story has been. What was great about this book when it first started was that it was really a Bucky & Black Widow comic. This whole story has had Black Widow being a maguffin rather than a character. She is the woman in the refrigerator despite not actually being killed. Even in the end, she serves as angst for Bucky rather than a character in her own right. Does she ever even speak as herself in the comic?

Weak.

I am dropping the book. I know the creative team is changing, but it has soured for me.

 

BATWOMAN #16 (J.H. Williams III / W. Haden Blackman) DC

When can beautiful art be a detriment to a book? Here it is.

The thing that has been lost here is storytelling. Williams as writer has written a script that just allows Williams as artist to do big, lovely double-page spreads where he then stuffs in text blocks to try and understand what is going on… because the art doesn’t really show you at all.

The strength of comics is as linear storytelling. This doesn’t do that at all. If that is what you want, I would prefer you do it Stardust style, where Neil Gaiman provided Charles Vess with a prose story for him to illustrate. Don’t try to pretend it is comics when it isn’t.

 

AVENGERS #3 (Jonathan Hickman / Jerome Opena / Dean White) Marvel

There are world-threatening villains. The Avengers are an army now so they can take care of it! Except they don’t. Captain Universe does. Okay, what? How is having Captain Universe appear any sort of strategy? They can’t control that. (Oh, and side note, Hyperion can beat up the Hulk? No thanks.)

Eh.

 

UNCANNY AVENGERS #3 (Rick Remender . John Cassaday / Laura Martin) Marvel

That was better. Villains (but not over-powered, godly ones) fighting Avengers. Things look bleak, but I have a feeling the good guy swill figure out a way to pull this off. (Side note: I prefer it when Captain America is able to fight mental control himself, but the scene with him and Havoc worked. It was set up well.) (Side note #2: Having a different field leader when Cap is on the team never ‘feels’ right.)

 

BEFORE WATCHMEN: MINUTEMEN #6 (Darwyn Cooke) DC

Other than Silk SPectre, Minutemen is the best of the BW books… but this was probably the worst issue of the mini. Suddenly the whole thing was a plot by the Comedian and now it was Nite Owl who killed Hooded Justice? How does Hollis not now gather his forces with the sole purpose of bringing Comedian down? He could do it.

Good mini. Not great ending.

 

YOUNG AVENGERS #1 (Gillen / McKelvie / Norton / Wilson) Marvel

The book has promise but there were too many niggling little things that kept this book from debuting higher on this list. First off, apparently Wiccan is an idiot. THEY JUST WENT THROUGH A BIG TIME TRAVEL STORY THAT TAUGHT THEM HOW MESSED UP THAT CRAP IS! Why would he pull that?

The Marvel Boy / Kate Bishop thing doesn’t work for me at all. What happened to that cool NORMAL girlfriend that Marvel Boy already had? I assume Miss America is actually going to get some sort of explanation other than “hey, I’m a new superhero who just happened to be in the neighbourhood…”

I am also not a huge fan of the art.

A book like this is going to live or die on characterization, though, and that is working for me so far.

 

WONDER WOMAN #16 (Brian Azzarello / Cliff Chiang) DC

What can I say? Milan is awesome. The insight into his powers was really well done. The bar scene was excellent. Orion was… okay. I still don’t see his point, but hopefully that will come around. Herc is… nasty.

But it is the bar scene that really stood out for me.

 

REVIVAL #6 (Tim Seeley / Mike Norton) Image

There was so much in here. The world is finding out! Everything is going to change now! Anders’ eye shift shows how much you can do with linear art! Someone teach J.H. Williams that!

 

FF #3 (Matt Fraction / Michael Allred / Laura Allred) Marvel

Finally! Now it feels like the comic is actually starting! After two issues of nothing really happening, it was a nice change! (Though, did Darla really do that long scene in nothing but a towel? What is this, Saga?)

 

FABLES #125 (Willingham / Buckingham / Leialoha) Vertigo

An issue of Fables! I mean, a real one! It has been a while since this book felt like itself. Now this is a pure set-up issue, but it still had the feel of the great book we used to love.

Brandish and Leigh are going to be trouble with a capital TRUH!

 

THE MASSIVE #8 (Brian Wood / Garry Brown / Dave Stewart) Dark Horse

Act two of a really exciting movie, no? Did they really turn the ship over to this new country? What do you think?

Does this oil rig country remind you of Great Pacific in any way? A little?

 

SAUCER COUNTRY #11 (Paul Cornell / Mirko Colak / Andrea Mutti) Vertigo

Saucer Country has been hit and miss for me. So much so that when I recently heard that the book is coming to an end, I just sort of shrugged.

Until this issue. Wow.

Forget all the alien stuff and conspiracies and how this issue fits in to the broader scheme of the book. Instead just read it as someone who has had a tough grasp on reality since witnesses something traumatic when he was young. Reading between the lines, I had already guessed some of what was going on… but the fact that people knew made this almost too much. To cause such a visceral reaction. Well done Cornell et al.

 

 

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