Rusty's World

Rusty’s Comic of the Week: Animal Man #20 | May 8, 2013

comics-animal-man-20

Decent week. A good pile of good comics.

Starting at the weakest…

DIAL H #12 (China Mieville / Alberto Ponticello / Dan Green) DC

The tricky bit when doing a comic this crazy is that sometimes you run the risk of straying over the line from wacky awesomeness to just pointlessly weird. This issue went the wrong way over that line. Open Window Man? really?

The pace was frenetic but it just became disorienting and the story suffered.

AGE OF ULTRON #7 (Bendis / Peterson / Pacheco / Martinez) Marvel

Oh my god! Everything has changed!

Well, duh. And that was the whole issue. It was fine but it was the sort of issue you have to get through to go from the last one to the next one, without having much to offer itself.And the art wasn’t great, either.

Where are the super-brood?

ALL-NEW X-MEN #11 (Brian Michael Bendis / Stuart Immonen / Wade von Grawbadger / Marte Gracia) Marvel

This comic was damaged by the messed up publishing schedule. The big reveal was already spoiled in Uncanny, as was the result of the big reveal. Since this issue was mostly just about that, it felt a little pointless. The bit with Jean and Kitty was good. And yes, Jean is scary.

SWAMP THING #20 (Charles Soule / Kano / Alvaro Lopez) DC

The effect of Scarecrow’s chemicals on Swampy was really well done. That is the perfect nightmare for someone who has become as powerful as he has.

Superman was a straight up dick, though. He clearly needs help and Supes just utters vague threats.

I don’t know where Soule is going to go with the book, but his introduction to it was solid.

SNAPSHOT #4 (Andy Diggle / Jock) Image

So, everything gets wrapped up with a nice, happy ending.

Or not.

Wow, was that depressing.

MISTER X: EVICTION #1 (Dean Motter) Dark Horse

In a book where style takes front seat over story, it is still a pretty solid story! Especially the back-up. The scene where Shrodinger starts directing traffic is great.

If you are fan of design in comics, as I am, do not hesitate to grab any of Motter’s Mr. X books.

THE MOVEMENT #1 (Gail Simone / Freddie Williams II) DC

Did we really need a watered-down, super-hero version of Scarlet?

Yes, actually. I know plenty of people – good people – that if they had super-powers this is exactly what they would do. SUper-heroes are very pro-establishment as it stands, so it is nice to see the other side. I have faith that Simone can do this grey area, after she handled the darker areas so well in Secret Six (a book which should still exist…)

FAIREST #15 (Sean E. Williams / Stephen Sadowski / Phil Jimenez) Vertigo

Bad cover. No wait, great cover, but bad choice for a cover. Giving away the final page reveal on the cover is kind o fa bad idea, no?

This was a very good comic, and I am happy with it, but if this becomes yet another arc where the man is the actual start… well, that would suck.

The first issue was absolutely top-notch, though, so hopefully not.

SUPERIOR SPIDER-MAN #9 (Slott / Stegman / Delgado) Marvel

I really enjoyed Eternal Sunshine of the Spotless Mind.

This comic was good, too.

The funny thing is, if you look at things a certain way, Otto did nothing wrong. That wasn’t Peter. It was just the memory of Peter.

Still, there is much gnashing of teeth because people thought this was how Peter was going to come back.

Fret not, little ones. Peter will come back.

Just like Steve did. And Clark before him. And countless others.

HAWKEYE #10 (Fraction / Francavilla) Marvel

You really notice it was Aja isn’t here… but I still quite like Francavilla. This book is a little more surreal than it has been, but it takes you where you need to go and does it in style. It doesn’t take you where you might WANT to go, but that ship sailed last issue.

ANIMAL MAN #20 (Lemire / Leon / Green II / Silver) DC

I don’t really understand how this warrants its own story, but I don’t care. This is just a really good story. Trim off the Buddy stuff and just read about Red Thunder.

I want to see his movie. A much, much sadder version of Kick-Ass.

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