Rusty's World

Rusty’s Comic of the Week: Lazarus #15

February 22, 2015
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Lazarus_15

More comics that last week, but three of them have reached the end of the line (two for me and another for everybody).

Starting at the weakest…

SHE-HULK #12 (Soule / Pulido / Vicente) Marvel

This is the last issue of She-Hulk and I have enjoyed the series over all but this issue was very unsatisfying. The big reveal was a super lame villain with a magic trench-coat? Jen is controlled and then she isn’t?

This comic ended on a very down note.

MULTIVERSITY: MASTERMEN #1 (Morrison / Lee / Williams / Sinclair) DC

I guess some people were really excited about a Jim Lee issue of Multiversity. I am not a huge Lee fan.

More importantly, the way this comic kicked off really set a sour note. Look! Hitler taking a dump! It is undignified but it is funny because it is Hitler! Let’s drag this out as long as possible!

Uh, no. Plus it didn’t feel like I was going a whole story in this one shot.

Multiversity has been great but this issue was disappointing.

CAPTAIN AMERICA & THE MIGHTY AVENGERS # 5 (Ewing / Coello / Rosenberg) Marvel

Does this feel like the reveal happened too suddenly? DO you think their timetable was accelerated so they would match up with Secret Wars?

Me too.

FABLES #149 (Willingham / Buckingham / Leialoha / Zullo / Loughridge) Vertigo

First off, what is with that cover? The figure work is terrible. It looks like something from a high school art class… and they didn’t get an A. Please, stick with Mark Buckingham if this is the art you are going to get for the cover.

As for the story… it was fine, I guess. It seem alike Willingham is tacking on an excuse for Snow and Red to fight. Red comes across pretty bad, though. “Now you have told me the story, I guess I will have to kill my sister!”

Uh, what? How about no.

BLACK WIDOW #15 (Edmondson / Noto) Marvel

I wasn’t a big fan of ‘Winter Soldier to the rescue’ but I guess it fits his new gig as the Watcher (or whatever he is…). Overall this is a just a good comic but I DO feel like the story is dragging out a bit too long.

SILVER SURFER #9 (Dan Slott / Michael Allred / Laura Allred) Marvel

Ah, human emotions are such fragile things. Dawn rejects Surfer when she finds out he participated in mass (mass, mass, mass) murders but then panics when she thinks he is in trouble. Very believable. Good writing.

And Galactus.

MOON KNIGHT #12 (Brian Wood / Greg Smallwood / Jordie Bellaire) Marvel

This is the last issue I am getting but I expect that there will be Moon Knight trades in my future.

Khonshu is back where he belongs but this story gives a whole greater depth to that character.

Is Moon Knight backed by a ‘good guy’? Maybe?

Maybe not.

LAZARUS #15 (Rucka / Lark / Arcas) Image

Like Moon Knight, this is my last issue of Lazarus but I expect I will buy trades at some point. This issue is stellar. Normally I don’t like like fight scenes in comics too much, but this one is incredibly well done, and just enough politics on the side to make it work.

Looks like war.


Rusty’s Comic of the Week: Daredevil #11

December 27, 2014
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Daredevil11

This is the last RCotW for 2014. Next week is a skip week. I saw one book (Miracleman Annual) that I’ll get, but it can wait until the week after.

That means that AFTER this post I will start crunching some numbers and generate my TOP 10 titles of the year. That should be fun.

Last year I guessed the book of the year would be Saga or Hawkeye and instead it was Ultimate Spdier-Man.

This year… Saga or Hawkeye? Daredevil? Ms. Marvel?

First, this week… starting at the weakest…

AVENGERS & X-MEN: AXIS #9 (Remender / Cheung / Dodson / Yu / Kubert) Marvel

Well, it is over. It never got better.

Lots of this book makes no sense, like why did the villains make that video? After they were evil again? Why was Carnage in it? Does that mean they made it in advance? That shows a lot of ridiculous foresight.

The alignment swapping annual was still inane. It seems that the whole thing was just so Iron Man could get a shot in the arm and Sabretooth could replace Wolverine. Oh, and I guess Havoc is joining Uncanny as a bad guy or something.

What a terrible story.

BODIES #6 (Si SPencer / Meghan Hetrick / Dean Ormston / Phil Winslade / Tula Lotay / Lee Loughridge) Vertigo

I have said it before: this was a really solid idea with really poor execution.

CAPTAIN AMERICA & THE MIGHTY AVENGERS #3 (Ewing / Ross / Coello / Rosenberg) Marvel

The Axis stink is hard to wash off. Okay cliche fight scene, but that is it.

THE MASSIVE #30 (Brian Wood / Garry Brown / Jordie Bellaire) Dark Horse

This was just an epilogue for the series. The comic had great moments but the arc went back to supernatural Mary, which was a bad way to go. The characters were good but the metaplot was weak.

SHE-HULK #11 (Soule / Pulido / Vicente) Marvel

A good She-Hulk / Titania tussle is always fun. This one had a bonus of Hellcat joining in – not to mention the mystery of Angie and her monkey. A big reveal just in time for the book to be cancelled… it turns out the secret villain was… who?

REVIVAL #26 (Tim Seeley / Mike Norton) Image

Moving the story forward. Alliances shifting.

ALL-NEW X-MEN ANNUAL #1 (Bendis / Sorrentino / Maiolo) Marvel

Finishing off the Eva Bell time travel story. Beautiful art and a heart-wrenching scene but the story was a bit light for an annual (or two).

This sets up future stories, it seems.

DEAD BOY DETECTIVES #12 (Litt / Buckingham / Vieceli / Santos / Loughridge) Vertigo

This book is not big on plot. Things just kind of happen and it only works if you care about the characters.

Luckily, I do.

UNCANNY X-MEN #29 (Bendis / Bachalo / TOwnsend) Marvel

That cover made me think we were actually getting back to the will.

Nope.

Instead we get a little power struggle between Magneto and Cyclops where both sides keep telling the truth.

Interesting.

C.O.W.L. #7 (Kyle Higgins / Alec Siegel / Rod Reis) Image

Who would have thought that a book that is fundamentally about politics would be so interesting?

DAREDEVIL #11 (Waid / Samnee / Wilson) Marvel

The different stories to kick of the issue were great. Reality vs truth or something. 🙂

Then the great Stunt-Master story. This reminds me, in a way, of the old Gladiator story, with a dark outcome.

Suddenly Stunt-Master is a real problem.

Waid and Samnee make good comics.


Rusty’s Comic of the Week: C.O.W.L. #6

November 30, 2014
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cowl6_cover

Interesting week. My taste is moving away from superhero comics… but I actually don’t think that is it. I LOVE superhero comics, but superhero comics have just been getting… bad. The entire DC 52 line is bad and seemingly getting worse. Marvel is cross-over crazy, which would be fine, but the crossovers just aren’t good. (Axis is awful and Spider-Verse isn’t much better.)

So, what do we have this week.

ODY-C #1 (Matt Fraction / Christian Ward) Image

The latest creator owned comic by Matt Fraction. It is very ambitious. And it is quite disappointing.

How many variants of the Odyssey do we really need? Plus that art is of the type that is more worried about looking triply than actually telling a story.

The big gatefold was just an unneeded info dump.

Disappointing.

THE MASSIVE #29 (Brian Wood / Garry Brown / Jordie Bellaire) Dark Horse

A comic that had flashes af brilliance and flashes of ridiculousness seems to be ending on the latter. Too bad.

SPIDER-MAN 2099 #6 (David / Sliney / Fabela) Marvel

As mentioned before, Spider-Verse has been striking out. One of the problems is that the villains are so dull so when they throw out big fight scenes like this one, they don’t resonate. Lady Spider could have been interesting but Peter David wrote this issue like her only interesting quality is that both Miguel’s brother and Daemos found her attractive. Lame.

BODIES #5 (Si SPencer / Phil Winslade / Meghan Hetrick / Dean Ormston / Tula Lotay / Lee Loughridge) Vertigo

This is probably the best issue of this mini yet. The past and resent stories were remarkably clear. The future one was not but it also got to be home for the big twist. For the first time, I feel like I am looking forward to what comes next.

THE UNWRITTEN: APOCALYPSE #11 (Carey / Gross / Chuckry) Vertigo

Moving the story towards resolution. Gunning down childhood heroes (I loved the Tim Hunter reference). Blowing a trumpet. Ending existence.

Next?

DEAD BOY DETECTIVES #11 (Litt / Buckingham / Kelly / Loughridge) Vertigo

The main story was just wrap up but the sweet parts of this comic were very sweet. The passing of a mother, acknowledgement of wrongs done and a family photo. A ghostly kiss but mostly, the little epilogues with two cats and a couple of proud parents.

Nice.

CAPTAIN AMERICA and the MIGHTY AVENGERS #2 (Ewing / Ross / Coello / Rosenberg) Marvel

The first issue of this relaunched title was awful. The same reasons should have made this issue bad too, but they didn’t. Axis is still terrible but instead of focusing on that, they looked at the human side of what happens when someone like Luke Cage because awful and selfish. The team stood strong (and actually fought some bad guys!).

Much better. (But I am still looking forward to Axis being over.)

LAZARUS #13 (Rucka / Lark / Arcas) Image

Remember what I said when I reviewed that last issue of Klarion? Making verbal consent the norm is a GOOD THING.

They did it again.

Meanwhile, the scene with Forever and her family… the scene with Forever and the Lazari… Forever and Joachim… all great.

SUPERIOR FOES OF SPIDER-MAN #17 (Spencer / Lieber / Rosenberg) Marvel

I thought LAST issue was the LAST issue.

Turns out THIS issue is the LAST issue.

I nice wrap-up where everything gets spelled out for those people who need such things. (The Lost complainers, mostly… use your brains people!)

The two big reveals were Abner and one I won’t spoil. There also is one about who Fred is talking to, but that is just cute and not incredibly relevant. (I also hope the new mob boss is reflected in future comics.)

Good issue to a mostly great comic.

C.O.W.L. #6 (Higgins / Siegel / Charretier) Image

What a great comic. It is the origin of Grey Raven, told in the form of a sixties era comic, complete with period style ads and moralizing.

Is that his real origin or just ht public version? I actually hope it is the latter so we can see how things have changed since his early days.

The mix of corruption and ideals is a story that goes ever on…