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Rusty’s Comic of the Week: Saga #11

March 24, 2013
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Saga again? I think this makes 10 times out of 11 issues that it has grabbed the #1 spot. There was big competition this week too…

Starting at the weakest…

COMEBACK #5 (Brisson / Walsh / Bellaire) Image

What a terrible comic this ended up being. I think that they were trying to recreate the movie Primer in comic form and failing utterly. I have no problem with complicated comics but this was an absolute mess. Just look at page 8 and 9 for the wall of text that happens to try and explain the storyline. TOo much expository dialogue!

If you have a chance to read this comic, don’t waste your time.

WONDER WOMAN #18 (Azzarello / Sudzuka / Ains / Chiang / Green) DC

I used to really love this comic… what happened? I already talked about how this storyline was just going on an don, yet this issue had a resolution of sorts. The art this time out was really, really bad, which makes them lost the benefit of the doubt. But what really puts this book in the bad column?

How about the scene where War reaches in and rips a baby from a women’s womb.

The fact that they are gods and not really people and that it wasn’t really her womb doesn’t matter. Just look at that scene and tell me what you see.

That is some messed up shit right there. Ugh.

CONSTANTINE #1 (Jeff Lemire / Ray Fawkes / Renato Guedes) DC

They cancelled Hellblazer for this. Now, I wasn’t reading Hellblazer, but the idea that they would water down yet another character didn’t sit well with me. When they turned Constantine back into a DCU character, I had no problem with that. Hellblazer was still running and I had no more problem with both existing than I do with the idea that the movie version of, say, Captain America, is a different version than the comic one. No problem.

DC seems to think otherwise. They thought it was too confusing so they killed Hellblazer and replaced it with this.

At first I just wasn’t going to buy it at all. BUt then they switched writers, bringing in Jeff Lemire, who writes Constantine very well in Justice League Dark, so I thought I would give it a try.

I tried it. That may be all I do.

CAPTAIN MARVEL #11 (DeConnick / Sebela / Andrade / Bellaire) Marvel

From here on, I actually quite liked the comics this week. THere were lots of them, but they were quite good.
I am hot and cold about the art in CM, but this issue worked for me. I think the difference from issue to issue may be more me than the art, but this time I liked it.
I like the ‘can’t fly’ story now, and I wouldn’t mind if they took her flight power away from her permanently so her facility with flying machines had a greater utility.
This was a solid issue, but not outstanding.

NEW AVENGERS #4 (Jonathan Hickman / Rick Magyar / Steve Epting / Frank D’Armata) Marvel

So the Illuminati are straight up villains now? Having Cap pushed out was the right thing to do because he would be WAY out of character to go for this. I think Beast should have a bigger problem with this than he does. (I would prefer if they ALL had a bigger problem with this but…)
Not a great book, but I am still hoping that heroic natures take back over.

AVENGERS #8 (Jonathan Hickman / Dustin Weaver / Justin Ponsor) Marvel

So, the Avengers acted pretty badly in here, no? All of the conflict came about because they treated someone who had done nothing wrong as an enemy, effectively turning him into one. While I am not a fan of idiocy as a plot device, this worked because you could see that they were really, really panicking. I think having characters used to being so powerful act rashly when faced with something MORE powerful makes sense.

I just wish Hickman did stories other than ‘big cosmic over powered god-think threatens the earth!’

REVIVAL #8 (Tim Seeley / Mike Norton) Image

Creepy and powerful stuff. The character turns in this book are great. I dug Ken Dillisch, as he worked against type. The plight of the suicidal was yet another twist in this already psychologically messed-up book.

This should be the next Walking Dead.

SUPERIOR SPIDER-MAN #6 (Slott / Ramos / Olazaba / Delgado) Marvel

What I like about this book: Otto has become a VERY complicated character. His childhood flashbacks are becoming tiresome, but his obvious feelings of respect (and more?) for Anna Maria Marconi is really well played. Of course, his way of expressing that is a little over the top, but that is who he is.

What I don’t like: They did this in the mid-90’s when they broke Batman’s back. They replaced Batman with Azrael to answer to the people who thought that it was okay for Bats to be more brutal. They tried to show how wrong that would be. What happened? People cheered him. The people who say that Batman should have killed Joker years ago don’t understand what it means to be a hero.

I am afraid of that here. How many readers thing Otto was right to shoot that guy last issue? What I liked here is that people SHOULD realize that brutalizing two people over what amounts to a prank in order to commit a minor crime is too much.

I hope.

BATWOMAN #18 (J.H. Williams III / W. Haden Blackman / Trevor McCarthy) DC

This issue was fairly… straight forward. That is a nice change from the mess the last arc kind of became. The fight with Freeze was well done. Hawkfire is a stupid name, but the team is good. The Batman appearance was interesting and Kate was the right kind of rebellious to him. It suits her character. The D.E.O. stuff was good. The Maggie stuff was good. The ending was very poorly done. A cliffhanger that you have given us no reason to care or wonder about? Yeah… poorly done.

ALL-NEW X-MEN #9 (Bendis / Immonen / Von Grawbadger / Gracia) Marvel

Jean Grey without training from Xavier is a whole lot of bad news. How long before nobody wants her around at all? The bit with Angel makes me think there will be unintended consequences with her messing with his head. The Times Square reaction was ridiculous. They did NOT come from the 60’s anymore. (Though I still like that they did stylistically) Please get Lady Mastermind a new name and a new costume. Her and Emma Frost in the same comic is too much.

I thought Sabertooth was dead…

FABLES #127 (Willingham / Buckingham / Pepoy / Leiloha) Vertigo

The Snow White story makes me nervous but this issue was very solid.

I don’t have a lot to say except this… if Snow WHite doesn’t engineer her own ‘salvation’ from this situation, I will be annoyed. Also, please don’t make her win the day by using her ‘sexual wiles’.

Thank you.

DAREDEVIL #24 (Waid / Samnee / Rodriguez) Marvel

I stayed away from this comic for too long. WHile she is new to me, I am an instant fan of Kirsten McDuffie. The problem is, we know that Matt will keep trying to win her over, and that is npt really a great message. No means no, fella.

Samnee’s art is beautiful. He reminds me of Darwyn Cooke while still being his own artist. (Speaking of Cooke, my friend Kevin Matthews got me Volume 1 of Parker for my birthday. I am looking forward to digging in to it.)

ULTIMATE SPIDER-MAN #21 (Bendis / Pichelli / Ponsor) Marvel

Nobody does characters better than Bendis and nowhere does Bendis do them better than this book. You FEEL what they are going through. The scope of all this is too much for Miles, but he gets through it because it is the right thing to do. Mary-Jane and Gwen coming over was perfect. The fact that they really screwed up by doing so is going to have an impact. There is no way that cop doesn’t connect them to Peter Parker and therefore Spider-man.

I really hope Miles’ dad makes it through this. I want to read more about him.

SAGA #11 (Brian K. Vaughan / Fiona Staples) Image

The best comic in an already amazing week of comics. THe ex talk was refreshingly frank (and funny). The space stuff was exciting and interesting. The Lying Cat rescue was cheer-inducing. Then… the fate of Barr…. with the bookmark comment… wow. Powerful. VERY powerful.

It made you feel the feels.

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Rusty’s Comic of the Week: The Unwritten #46

March 5, 2013
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This was a huge week, made bigger because of a couple delayed books from last week. When I get a week like this it makes me look long and hard at what I am getting and there were some books that were found very wanting.

The cutting scissors are out!

Starting at the weakest…

ALL-STAR WESTERN #17 (Palmiotti / Gray / Moritat / Johnson) DC

I feel like no book was destroyed by the New 52 relaunch like Jonah Hex was. Jonah Hex was a very solid book, and the early issues of ASW held up to that standard, but it has been getting worse and worse. The constant Batman references were annoying enough, and then Jonah vs Mr. Hyde was pretty ridiculous. Now he is fighting… Vandal Savage?!?! Making this book part of the DC Universe is just silly. Do you remember ‘Hex’, the comic that sent Jonah into outer space? This isn’t that bad, but it is along those lines. It was made even worse by making the ‘classic DC character back-up’ Stormwatch. Uh what?

Dropped.

BATMAN INCORPORATED #8 (Grant Morrison / Chris Burnham / Jason Masters) DC

Uh, spoilers, I guess… but who hasn’t heard?

I am not one of those people who gets mad when they kill a character. The story comes first and if you can make a good story by killing a character, go for it. I am also not one of those people who gets upset about them bringing characters back. If it makes a good story, go for it.

Take when Marvel killed Captain America. It was a good story, but we always knew they would bring him back. (In fact, they took too long because Bucky was a terrible Cap.) The same thing with Peter Parker. Hands up anyone who doesn’t think he is coming back. No one? Good.

The problem here is that Batman Inc. hasn’t been a very good comic and the only thing that made it better was Damian. Now he is dead and it was done so in a really sloppy fashion that MINIMIZED the impact of his death. The sequential storytelling in this book has been very bad and it really destroyed any build up to Damian’s death.

Are they going to bring him back? Some people say yes. I am not so sure. I think Grant Morrison is taking his ball and going home and Damian will stay dead as long as Morrison needs appeasing. (Do you think there would have been those Before Watchmen books if Alan Moore was working for DC?)

More importantly, I am not sure I care.

Dropped.

AVENGERS ARENA #5 (Hopeless / Walker / Martin) Marvel

What DC did to Jonah Hex, Marvel did to Avengers Academy. They took a very good book and ruined it.

Now, like Batman Inc., don’t assume you know why. I am not one of the internet folk who hate the concept of the book. What did I say about killing characters in the previous review? The problem here is the writing. There is no plot. There is only a concept, and it is poorly executed. Let’s randomly kill characters, or make it seem like we are killing characters (because I am not convinced it is all legit), for no reason. Why? Because Arcade is suddenly the Beyonder in a bad mood.

Remember? They have done this story already. It was just in a less bloodthirsty time. The Beyonder took a bunch of heroes and a bunch of villains and set them against each other. With lots of exclamation marks.

Nobody would call Secret Wars high art, but I would rather reread that than this. (Having a BOYfriend in a refrigerator was a twist. Not that it makes it good writing…)

Dropped.

COMEBACK #4 (Brisson / Walsh / Bellaire) Image

Another book that is all concept and no execution. Some people (hi Kin!) hate time travel. I don’t. If it is written well it isn’t confusing at all.
Guess what this book isn’t and what it is.

I WOULD drop this book, but this is issue #4 and it is a 5 issues series. I’ll hold out to finish it.

WONDER WOMAN #17 (Azzarello / Akins / Green / Pinna) DC

Wonder Woman relaunched with a cool new feel, solid writing, good art. What happened?
Well, that opening story arc never ended. We are 17 issues in and are still telling the same story from issue #1 with no end in sight. This book isn’t about Wonder Woman, who happens to be trying to save Zola’s baby. This book is about Wonder Woman trying to save Zola’s baby. There is nothing else. It almost feels like that old Prison Break show where they just keep throwing up obstacle after obstacle because if they ever win, the show is over. Plus they keep subbing in Tony Akins on art and he is nowhere near as good as Cliff Chiang.

I woud consider dropping this, but it is one of Ruthanne’s favourites and very few of the books we get are ‘for’ her. This one stays.

ROCKETEER: HOLLYWOOD HORROR #1 (Roger Langridge / J. Bone) IDW

I bought the previous Rocketeer mini because of Chris Samnee. I enjoyed it, and I have good things about Langridge and I like J.Bone, so I decided I would give this a try. It isn’t as good as Waid and Samnee, but it is still okay. We talked about cutting this and decided against it. If I cut this one, it would just be to keep my budget in line, not because it was bad.

YOUNG AVENGERS #2 (Gillen / McKelvie / Norton / Wilson) Marvel

So far I still like the old YA better, and the story here that basically comes down to ‘the adults are either evil or under the sway of the bad guy so it up to the youngins to save the day’ is interesting enough. The whole ‘trapping them in comic panels’ thing is kind of cute.

THE MASSIVE #9 (Brian Wood / Garry Brown / Dave Stewart) Dark Horse

This book confused me a little bit but I think I was distracted by the cancer thing… as were the people involved, I would say.

So the ‘fleet’ got a little bigger? Yet they still don’t have the ship that the comic is named after?

JUSTICE LEAGUE DARK #17 (jeff Lemire / Ray Fawkes / Mikel Janin) DC

The big bust ’em up, throw down issue. Kind of… there appears to be more next issue. I really enjoy this comic and I am not sure why. Constantine is awesome is this other dimension. Frankenstein is kind of awesome in any dimension. It makes me wish I had read his book. (Side note: I ordered the new Constantine comic, but the preview running in the back of DC books this month doesn’t look very good…)

FABLES #126 (Willingham / Buckingham / Pepoy / Leialoha) Vertigo

Sometimes when something is supposed to be unsavoury it hurts the book even though it is doing what it means to do. This ex-husband of Snow White… ick. He is the most disgusting character that I can recall reading. Way worse than Comedian, and he is pretty bad. Now, he is supposed to be, but this rings worse. I think it may be because I know that Bill Willingham runs way on the right side of the political spectrum and this feels like an exaggerated version of what my lefty brain thinks that he thinks like. That is completely and totally unfair, but there it is.

BEFORE WATCHMEN: DR.MANHATTAN #4 (J.Michael Straczynski / Adam Hughes) DC

This book can be filed along with Silk Spectre and Minutemen to show how good the Before Watchmen concept CAN be. (Just don’t read Nite Owl or the Comedian unless you want to see the other end of the spectrum.)

This book was not as satisfying, storywise, as the previous three issues, because I don’t like it when they rehash what we have already seen (this is the same reason the otherwise good Ozymandias is sliding and why Moloch was one issue good and one issue terrible.)

And Adam Hughes is simply amazing. There are some artists who manage to take a tendency towards T&A but do it so well that it is beautiful rather than anything negative. Hughes exemplifies that. I mean, LOOK at that cover. Incredible.

As a whole mini this would rank higher, but this issue was relatively weak (and the flipped pages thing was just a novelty).

UNCANNY AVENGERS #4 (Rick Remender / John Cassaday / Laura Martin) Marvel

This is the best of the new crop of Avengers books… but as I have clearly said here and there, I am not a big fan of Hickman, so that isn’t hard. Still, this issue had a really good fight sequence against an ‘unbeatable’ foe, who lived to fight another day. It had a couple of really solid one-on-one scenes between Scarlet Witch and Rogue as well as Thor and Wolverine. I didn’t care for the tease, as I don’t look back at Onslaught with fond memories.

Also… what is the deal with the art? People rave about John Cassaday and I don’t know why. This just wasn’t that good.

UNCANNY X-MEN #2 (Bendis / Bachalo / Townsend) Marvel

First, I want to talk about the set. What is it about Bachalo’s art that makes the ridiculous costumes on the women seem so innocuous? Look at Emma on the first couple of pages. She has this weird cutout down the entire front of her shirt, yet it doesn’t seem to me to be overly sexualized. I think it is just the nature of his art. Those don’t look like melons hiding under her shirt… they are almost just well developed pecs. It waters down the effect, in a good way.

But then flip the page to the full page side shot of Emma’s face. That is some very pretty art. Well designed and well executed. Kudos.

Then there is the story. What does Bendis do well? Characters, characters, characters. These fell like real people. Real, interesting people. So far I like All-New better, but this is some solid work.

GUARDIANS OF THE GALAXY #0.1 (Brian Michael Bendis / Steve McNiven / John Dell / Justin Ponsor) Marvel

Here is Bendis again! I only bought this book because of his name in the credits because I normally don’t like the space stuff.

This was a very, very good comic. However, it wasn’t the space stuff that is coming, so it remains to be seen whether my enjoyment of Bendis’ writing can counter by normal dislike of the spacey aspects.

Even if the comic wasn’t good overall, which it was, the look on Peter’s mother’s face when she heard why he got in trouble for fighting was perfection.

FF #4 (Matt Fraction / Michael Allred / Laura Allred) Marvel

This was just an all-around sweet comic. The hijinks of (the equivalent to) young boys with a crush that ‘turn awry’ making Jen and Wyatt’s date better and better was just so well done. When Kin criticized Fantastic Four in his reviews (which I didn’t agree with, but that’s okay) he said, why can Fraction write Hawkeye so well and this so badly?

This book is Hawkeye brought to the FF.

Speaking of…

HAWKEYE #8 (Fraction / Aja / Wu / Hollingsworth) Marvel

First, what a great cover. Amazing. The art inside was a lot of fun too, both Aja’s normally brilliant work and the special Wu ‘covers’ scattered throughout. Hawkeye is one of my favourite comics being published and I certainly enjoy it more than the Unwritten normally, but this week it slipped a bit because I had a bit of a problem with the story. So, she comes in, Jessica sees her, but there is no explanation about who she is or where she fits into Clint’s past? I would be okay with that if he WASN’T hooked up with Jessica, but since he is, that didn’t feel right. It needed an explanation.

Not enough to ruin the comic for me, but enough to knock it out of the top spot.

THE UNWRITTEN #46 (Carey / Gross / Ormston) Vertigo

Zombies, Vampires, the chilling menace of IMAGINING death and… oh my god… did she just do what I think she just did? OMG, she did! The ending of that book was super chilling. The puppet lady who you can talk to in your dreams was super scary enough already but now she can imagine things and make them real? Holy crap. This is Freddy ramped up to the freakiest. Well done.


Rusty’s Comic of the Week: All-New X-Men #6

January 20, 2013
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Wait a minute… didn’t Saga come out this week?

 

Starting at the weakest…

 

ULTIMATE IRON MAN #4 (Edmondson / Buffagni / Troy) Marvel

Let me reiterate what I have said before. At the moment there is only one Ultimate comic worth buying and that is Spider-Man. (That one is VERY good, however.)

This mini was… I don’t want to say terrible. I just found that I didn’t care about anything that was happening in it. At all.

 

AVENGERS ASSEMBLE #11 (Kelly Sue DeConnick / Stefano Caselli) Marvel

Not bad but, is this book going to remain as ‘Avengers-lite’? I know it is supposed to be accessible for the movie crowd but hopefully it will get a bit more meat on its bones. I liked the use of the Hulk, though. (Which, of course, mirrored the Hulk’s usage in the movie…)

 

COMEBACK (Brisson / Walsh / Bellaire) Image

While this book has not lived up to its promise, it is interesting. A little bit of Rasl. A whole lot of Primer.

 

SAGA #9 (Brian K. Vaughan / Fiona Staples) Image

This is the worst issue of Saga yet… which is to say it is still better than most comics on the market. I just found it kind of… dull this month. Gwendolyn is interesting and they just tied Slave Girl into the mains tory, but …still. A little lacklustre by Saga standards.

 

CAPTAIN MARVEL #9 (DeConnick / Andrade / Bellaire) Marvel

Just as Saga doesn’t have its normal spot, Captain Marvel’s normal spot near the BOTTOM of the list was obliterated this month! First off, I LOVE the new art! It keeps the non-mainstream, off-kilter look of the previous artists, while feeling less dark. It is pure style. I like it!

Plus, the story was great! Carol’s own Pepper Potts! Tony Stark acting like a dick! A cat… (side note… did this issue feel like it could be a Power Girl comic?)

Then, the ending was great! Looking forward to the next issue. I hope they can keep up the trend!

 

NEW AVENGERS #2 (Hickman / Epting / Magyar / D’Armata) Marvel

Let’s just start with that great Jock cover. Sweet. This issue was all talking… and it was very well done. I think the fact that the comic was really just a few scenes stopped that jerky feeling I often get from Hickman’s work. The characterization was mostly good… though when did Black Panther become such an asshole? (Exception: the scene with Namor was spot on.)

You know something is bad when Captain America suggests building the Infinity Gauntlet. Who is going to wield it? It would have to be Cap, no? Who else would they trust?

 

ALL-NEW X-MEN #6 (Bendis / Marquez / Gracia) Marvel

Is Marquez a fill-in artist or is he taking over, because with all due respect to Immonen, I like this better. With his experience on Ultimate Spider-Man it should be no surprise, but he gets that YOUTHFUL look down pat. Perfect.

Now, why is this book #1? Characterization. There are three major interactions here. Jean/Kitty (and a bit of Storm), Cyclops/Wolverine, and Angel/Angel. The first and last were both excellent… extremely. You really see how Kitty has matured and also see how dealing with mental powers it so difficult. The scene between the two Angels is just joyous and fun. I wasn’t sure what would happen because I don’t read X-Force and I have no idea what was going on with Angel. Is he sometimes Archangel or what?

The Cyclops / Wolverine thing was fine, but not as emotionally interesting as the other two, though it set-up that last page reveal.

I am really enjoying this book. Is it REALLY better than Saga? Overall, not even close. This issue though, you bet it was.


Rusty’s Comic of the Week(s): Saga #8

January 4, 2013
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This is two weeks worth of comics since I was away for a bit. The real drama here, since it covers two weeks, is whether Hawkeye or Saga was going to be the better issue.

 

I guess I have spoiled that already.

 

Starting at the weakest.

 

BEFORE WATCHMEN: MOLOCH #2 (J.Michael Straczynski / Eduardo Risso) DC

When I read issue #1, right up until the last page I thought it was a one-shot. Now I wish it was.

The first issue gave a back story for Moloch. Something to make you care a little more about him. This issue just goes into unnecessary detail about stuff the happened in Watchmen that needed no extra explanation. In fact, this hurts the original story. Screw this issue. It just sucks.

 

FF #2 (Matt Fraction / Michael Allred / Laura Allred) Marvel

This comic was also unnecessary, but not in the actually damaging way that Moloch was. In this issue NOTHING HAPPENS. The Fantastic Four didn’t come back in four minutes. That’s it. I have high hopes for this comic and issue #1 did not let me down. Issue #2 did.

 

COMEBACK #2 (Brisson / Walsh / Bellaire) Image

This book isn’t bad, but it really doesn’t touch on anything new so far. If you were told the premise, you could probably come up with the story thus far. Hopefully that changes. I am not a big fan of the art, either.

 

CAPTAIN MARVEL #8 (DeConnick / Sebela / Soy / Gandini) Marvel

Was there supposed to be sexual undertones to the scene between Carol and Monica? If so, well done. If not, not so well done. What the last two issues reminded me is that I like Monica as Captain Marvel more than Carol.

Soy is leaving the book.

 

AMERICA’S GOT POWERS #4 (Jonathan Ross / Bryan Hitch) Image

What stops this issue from being higher on the list is that I am not going back and rereading the series every time a new issue comes out. If you can’t publish a comic with an ongoing story in some sort of timely fashion you should finish the whole book before soliciting any of it.

 

AVENGERS ARENA #2 (Hopeless / Walker / Martin) Marvel

I like the premise of the book and the feel of the book. What I didn’t like was side tracking the story for some back-exposition in the second issue. Killing a character is such on off hand way that we didn’t even know cheapens the whole thing as well.

 

WONDER WOMAN #15 (Brian Azzarello / Cliff Chiang) DC

Now we are getting into the better books. This issue is full of great characterization. Hera is the best example, but all of them – from the new brother to Hephaestus – are great. Orion still needs fleshing out, but that is to be expected.

 

FABLES #124 (Bill Willingham / Shawn McManus) Vertigo

This issue was well done… I suppose. The problem is that I haven’t liked the Bufkin story at all so getting a full issue of it doesn’t help (other than telling me it is over). It is better than the last two issues, but I am looking forward to getting back to the core of the book… and it looks like it is coming.

 

AVENGERS #2 (Jonathan Hickman / Jerome Opena / Dean White) Marvel

Good book in general, though it suffers from Hickman-itis. WHat I know about the new status quo I got from interviews and the diagram. It seems like that as Tony and Steve talk about the fact that they are changing things, that you might tactually TALK ABOUT HOW THEY ARE CHANGING THINGS. If you just went by the story you would assume the big change is that there are a bunch of reservists. Not a big change at all.

 

ALL-NEW X-MEN #4 (Brian Michael Bendis / Stuart Immonen / Wade von Grawbadger / Marte Gracia) Marvel

Nitpick: Going by the cover, it would seem that von Grawbadger has second billing. I know that i snot the intent but it is confusing.

Where Bendis works, and where this book works, is focusing on character. That works best here by focusing on the time lost heroes. This issue does that, to its benefit. Too much Cyclops and Magneto, except as villains, is a bad idea. (Side bit: Hank knowing… Beast’s password was a perfect touch – if not a bit inaccurate. Someone like Hank would change his password often.

 

THIEF OF THIEVES #20 (Kirkman / Asmus / Martinbrough / Serrano) Image

What can I say that I haven’t said yet? Basically, this comic is a good heist movie, in comic form.

 

BATWOMAN # 15 (J.H. Williams III / W.Haden Blackman / Trevor McCarthy) DC

Avengers Arena, listen up. THIS is how you do a side story to give added character to a supporting cast member. In one issue, without doing anything drastic, you have made the readers care more about Maggie Sawyer. It sure made me hope that she and Kate keep it together (and that Kate shares her secret).

 

AMAZING SPIDER-MAN #700 (no cover credits, but Slott / Ramos / Olazaba / DeMatteis / Camuncoli / Buscema / Van Meter / Buscema) Marvel

The first Buscema is Sal. The second one is Stephanie.

Look, there is no shock about this comic. The only question is how long it will take and how will they revert to the status quo. In the meantime they have made me interested in the story, and that is enough.

The scenes with Mary-Jane, though, are really bloody creepy and they had better address that. Otherwise it is rape, pure and simple. (Assuming it goes that way.) We’ll see.

As for the back-ups, the deMatteis one is getting praise and I don’t understand why. It is routine and hardly original in its obvious pay-off. In addition, let’s all laugh and how old people lose their memory! Ha ha!

No thanks.

The Black Cat story was cute.

 

ULTIMATE SPIDER-MAN #18 (Bendis / Marquez / Ponsor) Marvel

Remember what I said about Bendis on the X-Men book? This is where he proves it. The plot is not the point in USM. The story is not the point. The characters are the point. Miles is perfect. Jessica is perfect. The real star of this book, though, is Jefferson.He did the right thing, but he still killed people. That is not an easy thing.

Well done.

 

UNWRITTEN #44 (Mike Carey / Peter Gross) Vertigo

Forget the reveal. What I liked about this book is Tom’s new attitude. He is just going to keep going forward and will never assume that something can’t be done. It is the perfect evolution of his unbelieving wide-eyed wonderment from the start of the series.

And that reveal… looking forward to issue #45. 🙂

 

HAWKEYE #6 (Fraction / Aja / Hollingsworth) Marvel

Remember how good the first 5 issues of this book were?

This issue is better.

It is all about Hawkguy. Like the guy from M*A*S*H.

 

Saga #8 (Brian K. Vaughan / Fiona Staples) Image

How could a comic be better than the best issue of Hawkeye? By being Saga. In the last two issues they have made an already great character (Alana) a hundred times better by showing her when she is vulnerable. Marko was excellent, as always. His father showed the seeds of how Marko came to be. The ‘meet cute’. Gwendolyn.

I love this comic.


Rusty’s Comic of the Week: Batwoman #14

December 1, 2012
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Big week. You know what happens on weeks that are too big? Drops!

 

Starting from the weakest…

 

CAPTAIN AMERICA #1 (Rick Remender / John Romita / Klaus Jansen / Dean White) Marvel

No more Brubaker, hey? No problem! We will just sign up… Rick Remender? Remender is one of the ‘hot’ writers that I just don’t like. (see J.Hickman) This issues reminds me why.

Marriage? That was out of absolutely nowhere. Hey,mystery subway car with no explanation whatsoever? Hey, why don’t you get on it by yourself just because some guy said so, with no explanation whatsoever? Why doesn’t SHIELD, including your maybe new fiancee just say, ‘hey you go ahead and climb on the mystery subway. We’re good.’ with no explanation whatsoever. Why doesn’t Cap walk into an unknown situation unprepared while daydreaming about… whatever… so he get punked, with no explanation whatsoever.

Note to Remender: having Cap say ‘wow, doing this sure is stupid’ doesn’t give you carte blanche to have him act like an idiot.

Oh, and the art is not very good.

I will not be getting issue #2.

 

 

IT GIRL & THE ATOMICS #4 (Rich / Norton / Passalaqua) Image

I have been disappointed since the first issue when I thought that Mike Allred was doing the book. It hasn’t improved.

Dropped.

 

 

CAPTAIN MARVEL #7 (DeConnick / Sebela / Soy) Marvel

I considered dropping this book, but I think I will let it have another chance. The scene between Carol and Monica sold it for me. I am disappointed that the art is back to Soy. I was hoping Rios would find her feet here.

 

AVENGERS #34 (Bendis / Peterson / Mayhew / Keith) Marvel

Wow, is that cover ever terrible. Who drew that? Brandon Peterson? With all the great artists in the book, that is what you chose? This issue was not terrible but the big stupid fight scene just to get a bunch of artists in the book was… well, stupid. The attempt to fix Wonder Man was interesting, considering he still behaved in a selfish and stupid manner.

Like Captain America, here is another book that sounds like it is going to suffer greatly due to the Marvel NOW initiative.

 

REVIVAL #5 (Tim Seeley / Mike Norton) Image

I am liking this book less and less. It is still interesting at the core, but this ghost(?) stuff is going in a direction that doesn’t work for me. I would rather this book be more ‘this just happened’ and explore the fall-out alone. We’ll see.

 

COMEBACK #1 (Brisson / Walsh / Bellaire) Image

This book is getting a lot of praise and I just don’t see it. Not that I don’t think it is good… I do. I just don’t think this issue gives you enough to have any idea where this book is going. We have no plot here, just setting. Another wait and see book.

 

AMAZING SPIDER-MAN #698 (Slott / Elson / Fabela) Marvel

An otherwise poor comic saved by a huge and interesting twist. I can’t say this book was good, but I CAN say I am looking forward to issue 699 and on…

 

FABLES #123 (Willingham / Ha / McManus) Vertigo

Eh. Not bad, just not great. How fallen is Fables, no? I’m not even buying the new hardcover because the preview looks so boring.

I think Bigby is part of the problem right now. He is Wolverine… a character that was so awesome when he first appeared that now seems a little tired. I really hope this book gets back to the greatness it once had.

 

ULTIMATE SPIDER-MAN #17 (Bendis / Larraz / Ponsor) Marvel

Big battle scenes do not thrill me. Bendis’ characterization of Miles, however, really does. Once this book gets out from under the Ultimates cross-over, I expect it to be right back near the top of this list.

 

ROCKETEER: CARGO OF DOOM #4 (Waid / Samnee) IDW

So… a cliffhanger ending to a one-off miniseries? Does this mean there will be ANOTHER Waid / Samnee Rocketeer series? If so, sign me up!

 

WONDER WOMAN #14 (Brian Azzarello / Tony Akins / Dan Green) DC

Wonder Woman winning using love and compassion. Recruiting family through shared heartbreak and familial betrayal.

This is good stuff. Really good stuff. WW is best when she isn’t playing the She-Hulk role and this issue is a good example of that.

This isn’t the best comic with Wonder Woman in it this week, though.

 

HAWKEYE #4 (Fraction / Pulido / Hollingsworth) Marvel

This is Marvel’s best comic these days. I LIKE the version of the world that says Hawkeye has some shame over killing someone. (I prefer a world where he DOESN’T do that, but that ship has sailed.) The idea that this tape getting out would harm his rep and the rep of the Avengers makes me happy. I read a review that said that people today wouldn’t care. In our world, you are right. A world filled with superheroes, though… gets held to a higher standard, thankfully.

The only flaw this issue was the last issue reveal. The fact that I had doubts about who that was supposed to be is bad. (I know who it is… but my first reaction was Mockingbird.)

 

THE UNWRITTEN #43 (Mike Carey / Peter Gross) Vertigo

As Vertigo seems to be crumbling to dust, isn’t it nice that they still have this book? This animal world as a twisted version of literary world-buildign works for me. The characters here are top-notch and I love the motivation behind this one. A rescue… from? Non-existence maybe?

 

BATWOMAN #14 (J.H. Williams III / W. Haden Blackman) DC

That the art is beautiful is no surprise. That the book is written as well as it is, is. I have given Williams a lot of flack for his poor writing chops, but this issue redeems him somewhat. The scenes with Pegasus are heavy, deep, shocking, painful… just very well done. Wonder Woman is good in here, though I wouldn’t want Williams writing a WW book. Her willingness to take his head is perfectly acceptable. Her threat to leave him there to rot, not so much. The 20 pages felt very short this tim eout. Lots of splash pages that were still FILLED with story. Best Batwoman issue in quite a while.